2021¡¡ | ¸½ÂåÇîʪ´Û¤Ë¤ª¤±¤ëÂç²°º¬¤ÈÆþ¸ý¤Þ¤ï¤ê¤Î¶õ´Ö¹½À® Design Method of the Entrance Area in Terms of the Appearance of Pitched Roofs inthe Contemporary Museums |
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2021¡¡ | ÅÚ±ºµµ¾ëÀ߷פÎÌÚ¤½»Âð¤Ë¤ª¤±¤ëÁý²þÃÛ»×ÁÛ The Architectural Concept of Extension/Renovation methods at Wooden Houses designed by Kameki Tsuchiura |
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2020¡¡ | ¶áÂåÆüËܤλº¶È°ä»º¤Ë¤ª¤±¤ë¸ø³«³èÍѤ˸þ¤±¤¿À°È÷·×²è¤ÎÆÃħ Characteristic of planning for publication and utilization of industrial heritage in Japan |
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2020¡¡ | ÅÚ±ºµµ¾ëÅ¡¤ÎÁý²þÃۤˤª¤±¤ë»Å¾åºà¤ÎÊÑÁ« Transition of Finishing Materials in Extension and Renovation of TSUCHIURA House |
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2019¡¡ | ·úÃÛ»¨»ï¤Ë¤ß¤ë¸½Âå·úÃ۲Ȥˤè¤ë±¿±Ä´ë²è¤È·úÃÛɽ¸½ Management planning and architectural representation of the modern architect in architecture magazine ¡¡ |
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2019¡¡ | ÀïÁ°¡¦Àï¸åÁá´ü¤ÎÆüËÜ¥â¥À¥Ë¥º¥à·úÃÛÊݸ¤Ë¸þ¤±¤¿¿¢ÊªÀÁ¡°ÝÈÄ(¥Æ¥Ã¥¯¥¹)¤Î»ÈÍѰտޤÎʬÀÏ Analysis of the intention of using fiber board "tex" for presetvation of pre-war and early post-war Japanese architectural works¡¡ |
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2019¡¡ | ÃËÌÚÅç¤Ë¤ª¤±¤ë¶áǯ¤Î¶õ¤²È²þ½¤»öÎã¤Ë¤ß¤ë¥³¥¦¥ê¥ç¥¯¤Î¼ÂÂÖ A study on "Kouryoku" in the recent cases of vacant house renovation in Ogijima Island ¡¡ |
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2018¡¡ | ¿¢Êª¤ò³èÍѤ·¤¿¿å¼Á¾ô²½µ»½Ñ¤ÈÊë¤é¤·¤Î¹©Éפˤè¤ë±øÂùÉé²Ùºï¸º¤Î͸úÀ-¿Í¸ýÄãÌ©ÅÙÃϰè¤Ë¤ª¤±¤ë¥¨¥³¥í¥¸¥«¥ë¤Ê¿å¤È¤Î¤Ä¤¤¢¤¤Êý- Study on efficiency of the pollution reduction of domestic effluent by water purification by plants and ecological change of the lifestyle for application to depopulated areas. ¡¡ |
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2018¡¡ | F.L.¥é¥¤¥È¤Î¥Ö¥í¡¼¥É¥¨¡¼¥«¡¼¡¦¥·¥Æ¥£¤ÎÆÃħ¤È·úÃÛºîÉʤˤª¤±¤ë¤½¤Î¼ÂÁ©ÅªÅ¸³« Study on Broadacre City Proposed by F.L.Wright and its Development in Architectural Works ¡¡ |
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2018¡¡ | ¥Ð¥ó¥É¥¦¥¤¥ë¥«¤Î»ô°éÈË¿£»ÜÀߤθ½¾õ¤È²þÁ±°Æ¤Î¹Í»¡ Study on existing breeding facility of bottlenose dolphins and improvement method ¡¡ |
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2017¡¡ | Ãæ¹ñ¤Î¿å²´Û¤Ë¤ª¤±¤ëŸ¼¨¥Æ¡¼¥Þ¤È´ÑÍ÷ÄÌÏ©¤Î¾ìÌÌŸ³« Study on the relationship between the Sequence for Visitors and Exhibit Theme in Aquariums in China¡¡ |
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2016¡¡ | ¸½ÂåÆüËܤˤª¤±¤ë¸½¤·Ìڲ͹½¤Î¹½Ë¡ÅªÆÃħ Constructional Characteristic of Wooden Frame in Japanese Contemporary Architecture¡¡ |
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2016¡¡ | ¶ÊÌÌ¥¬¥é¥¹¤òÍѤ¤¤¿³°´Ñ¤È¥¬¥é¥¹À½Â¤¡¦²Ã¹©µ»½Ñ Curved-glass facades and manufacturing techniques¡¡ |
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2016¡¡ | ¸½ÂåÆüËܤαؼˤγ°´Ñ¤Ë¤ª¤±¤ëÃϰèÀ¤Îɽ¸½¼êË¡ Representation of locality in Japanese contemporary station facades.¡¡ |
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2015¡¡ | Çîʪ´Û·úÃۤγ°´Ñ¤Ë¤ª¤±¤ë´û¸¥Õ¥¡¥µ¡¼¥É¤ÎÊݸ¤È¸ÅºàÍøÍÑ Existing facade preservation and the reuse of old materials for museum exteriors¡¡ |
´äÅÄæÆÂÀ, °ÂÅŬ°ì, ÀîÅçÈϵ×, »ù¶ÌÍýʸ, ÆâÆ£À¿¿Í, ¾¾Åç½áÊ¿, Ê¿µ±, Æ£¸¶µªº» ¡¡ |
2015¡¡ | ¸½ÂåÆüËܤÎÅã¾õ¸Í·ú¤Æ½»Âð¤Ë¤ª¤±¤ë³°·ÁÊѲ½¤È³¬ÃʤηÁ¼°¡¦ÇÛÃÖ The form and placement of stairs and envelope formation in modern Japanese tower-like houses¡¡ |
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2014¡¡ | Ë̲¤¤ÎÎéÇÒ¶õ´Ö¤Ë¤ª¤±¤ë±¢±Æ¤«¤é¤ß¤¿Å·°æ¤Þ¤ï¤ê¤Î¹½À® Composition of ceilings and clerestory windows within the shade and shadow of Nordic sacred spaces¡¡ |
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2014¡¡ | ŹÊޤؤΥ¢¥×¥í¡¼¥Á¤«¤é¤ß¤¿ÆîÀÄ»³¤Ë¤ª¤±¤ë½»¾¦º®ºßÃϰè¤Î³¬ÁØÀ Hierarchies observed through the approach to shops in Minami-Aoyama¡¡ |
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2014¡¡ | ¸½Âå·úÃÛ¤ÎΩÌ̤ˤª¤±¤ëÁǺà¤ÎÈ¿Éü¼êË¡ Repetition of Material on Elevation in Contemporary Architecture¡¡ |
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2013¡¡ | ¸½ÂåÆüËܤν»ÂðºîÉʤˤª¤±¤ë¥È¥Ã¥×¥é¥¤¥È¤Ë¤è¤ëµï´Ö¤Ø¤ÎºÎ¸÷¼êË¡ Methods of Daylighting in Living Room from Skylight in Contemporary Japanese Houses¡¡ |
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2013¡¡ | ÎÓ¾»Æó¤Î¡ÖÃæ¾®½»ÂðPLAN¡×¤Ë¤ª¤±¤ë¿å¤Þ¤ï¤ê¤«¤é¤ß¤¿Àß·×¼êË¡ Shoji Hayashi's Design Method of House Planning focused on Wet Areas on "Private Houses Plan"¡¡ |
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2013¡¡ | ÎÓ¾»Æó¡¦ÎÓ²í»Ò¤Î¡Ö»ä¤¿¤Á¤Î²È¡×¤Ë¤ª¤±¤ëÊ¿Ì̤ÎÊÑÁ«¤«¤é¤ß¤¿Àß·×¥×¥í¥»¥¹ Design Process of Plans for "House of Shoji and Masako Hayashi"¡¡ |
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2013¡¡ | »ÔÄ£¼Ë·úÃۤΥե¡¥µ¡¼¥É¤È³°¹½¤«¤é¤ß¤¿¥¨¥ó¥È¥é¥ó¥¹¤Îɽ¸½¼êË¡ Articulation of Entrance as Seen from Facade and Approach in Japanese City Hall¡¡ |
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2013¡¡ | »ë³ÐŪϢ³¤Ë¤è¤ëÍá¼¼¤Î³«Êü¥Ñ¥¿¥ó¤È´Ä¶Í×ÁÇ¡¡¸½ÂåÆüËܤν»ÂðºîÉʤˤª¤±¤ëÍá¼¼¤Î³«ÊüÀ¡Ê1¡Ë Openness of bathrooms in contemporary Japanese houses(1) ¡¡ |
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2013¡¡ | Íá¼¼¤Î³«Êü¥Ñ¥¿¥ó¤È´Ä¶Í×ÁǤδط¸¡¡¸½ÂåÆüËܤν»ÂðºîÉʤˤª¤±¤ëÍá¼¼¤Î³«ÊüÀ¡Ê2¡Ë Openness of bathrooms in contemporary Japanese houses(2) ¡¡ |
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2013¡¡ | Ÿ¼¨¼¼¤Î·ÁÂ֤ȥȥåץ饤¥È¤ÎÇÛÃÖ¤ÈÈþ½ÑÉʤΟ¼¨¡¡¸½Âå¤ÎÈþ½Ñ´Û¤Ë¤ª¤±¤ë¥È¥Ã¥×¥é¥¤¥È¤Ë¤è¤ëŸ¼¨¼¼¤Ø¤ÎºÎ¸÷¼êË¡¡Ê¤½¤Î1¡Ë Methods of Daylighting in Exhibition Room from Skylight in Contemporary Art Museum(1)¡¡ |
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2013¡¡ | ¥È¥Ã¥×¥é¥¤¥È¤Ë¤è¤ëÈþ½Ñ´Û¤ÎºÎ¸÷¼êË¡¡¡¸½Âå¤ÎÈþ½Ñ´Û¤Ë¤ª¤±¤ë¥È¥Ã¥×¥é¥¤¥È¤Ë¤è¤ëŸ¼¨¼¼¤Ø¤ÎºÎ¸÷¼êË¡¡Ê¤½¤Î2¡Ë Methods of Daylighting in Exhibition Room from Skylight in Contemporary Art Museum(2)¡¡ |
ÎëÌÚ½ÕÆà, ÆâÆ£À¿¿Í, °ÂÅŬ°ì, ¼ÅÄÎÃ, ¾¾Åç½áÊ¿ ¡¡ |
2013¡¡ | Èþ½Ñ´Û·úÃۤˤª¤±¤ë¼¼¤È»Å¾å¤²¤Î¥ì¥¤¥¢¥¦¥È¤Ë¤è¤ë¶õ´Ö¤ÎÅý¹ç¼êË¡(1) spatial integration in art museum by comparing layouts of rooms and finishes(1)¡¡ |
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2013¡¡ | Èþ½Ñ´Û·úÃۤˤª¤±¤ë¼¼¤È»Å¾å¤²¤Î¥ì¥¤¥¢¥¦¥È¤Ë¤è¤ë¶õ´Ö¤ÎÅý¹ç¼êË¡(2) spatial integration in art museum by comparing layouts of rooms and finishes(2)¡¡ |
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2013¡¡ | ²òÁüÅÙ¤«¤é¤ß¤¿Ê¤¤¤¶õ´Ö¤Îʬ³ä¼êË¡(1) Divided Expression in Covered Spaces through Parts Layout from the point of 'RESOLUTION' and Layering (1)¡¡ |
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2013¡¡ | ²òÁüÅÙ¤«¤é¤ß¤¿Ê¤¤¤¶õ´Ö¤Îʬ³ä¼êË¡(2) Divided Expression in Covered Spaces through Parts Layout from the point of 'RESOLUTION' and Layering (2)¡¡ |
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2013¡¡ | ¼ç¶õ´Ö¤Î·Á¾õ¤ÈÇ®Éé²Ù¡¡»¥Ëڤθ½Âå½»Âð¤Ë¤ª¤±¤ë¼ç¶õ´Ö¥â¥Ç¥ë¤Î²¹Ç®´Ä¶ÆÃÀ(1) Characteristics of Thermal Environment and Main Room Models of Contemporary Houses in Sapporo (1)¡¡ |
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2013¡¡ | ¼ç¶õ´Ö¤Î·Á¾õ¥â¥Ç¥ë¤Ë¤ª¤±¤ë·úʪÀǽ¤È½»¤Þ¤¤Êý¤ÎÁȹ礻¤Ë¤è¤ë²¹Ç®´Ä¶ÆÃÀ¡¡»¥Ëڤθ½Âå½»Âð¤Ë¤ª¤±¤ë¼ç¶õ´Ö¥â¥Ç¥ë¤Î²¹Ç®´Ä¶ÆÃÀ(2) Characteristics of Thermal Environment and Main Room Models of Contemporary Houses in Sapporo (2)¡¡ |
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2012¡¡ | ÎéÇÒ¶õ´Ö¤Ë¤ª¤±¤ë·ÁÂ֤ȳ«¸ýÉô¤ÎÇÛÃÖ¤«¤é¤ß¤¿¸÷¤È°Ç¤ÎÂаÌË¡ The relationship of light, darkness and worship spaces by comparing the forms of plans and the placement of windows¡¡ |
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2012¡¡ | ¸½ÂåÆüËܤÎÇîʪ´Û·úÃۤˤª¤±¤ëƳÆþ¶õ´Ö¤Þ¤ï¤ê¤ÎÍÑÅÓ¤ÎÊ£¹ç·Á¼° Composition of functions around entry space in Contemporary Japanese museums¡¡ |
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2012¡¡ | ÃæÄí¤Èµï¼¼¤Ë¤ª¤±¤ë¸÷´Ä¶¡¡¸½ÂåÆüËܤΥ³¡¼¥È¥Ï¥¦¥¹¤Ë¤ª¤±¤ëÃæÄí¤Þ¤ï¤ê¤ÎÃÇÌ̹½À®¤È¸÷´Ä¶¡Ê1¡Ë Sectional Composition and Light Environment in the Courtyard and Adjacent Rooms of Contemporary Japanese Courtyard Houses (1)¡¡ |
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2012¡¡ | ÃæÄí¤Èµï¼¼¤Ë¤ª¤±¤ë¸÷´Ä¶¡¡¸½ÂåÆüËܤΥ³¡¼¥È¥Ï¥¦¥¹¤Ë¤ª¤±¤ëÃæÄí¤Þ¤ï¤ê¤ÎÃÇÌ̹½À®¤È¸÷´Ä¶¡Ê2¡Ë Sectional Composition and Light Environment in the Courtyard and Adjacent Rooms of Contemporary Japanese Courtyard Houses (2)¡¡ |
¶â»Ò ÌÀÆüÈþ, ¼ÅÄ ÎÃ, ÆâÆ£ À¿¿Í, °ÂÅÄ ¹¬°ì¡¡ |
2012¡¡ | ¿Þ½ñ´Û·úÃۤˤª¤±¤ë¥È¥Ã¥×¥é¥¤¥È¤òÍѤ¤¤¿±ÜÍ÷¼¼¤Ø¤ÎºÎ¸÷¼êË¡(¤½¤Î1) Strategies for using skylights to illuminate open-stack spaces in libraries (1)¡¡ |
ÆâÆ£ À¿¿Í, ˧ËÜ ¹¸Âçϯ, ¼ÅÄ ÎÃ, °ÂÅÄ ¹¬°ì, ȬÌÚ ¹¬Æó¡¡ |
2012¡¡ | ¿Þ½ñ´Û·úÃۤˤª¤±¤ë¥È¥Ã¥×¥é¥¤¥È¤òÍѤ¤¤¿±ÜÍ÷¼¼¤Ø¤ÎºÎ¸÷¼êË¡(¤½¤Î2) Strategies for using skylights to illuminate open-stack spaces in libraries (2)¡¡ |
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2011 | ³¹Ï©Î©Ì̤ȳÑÃÏ·úʪ¤«¤é¤ß¤¿³¹¤ÎÆø¤ï¤¤
¼«Í³¤¬µÖ±Ø¼þÊդγ¹Ê¤߸¦µæ(1) Composition of Street Facade and Corner Buildings in Jiyugaoka |
º´Æ£ É絪, °ÂÅÄ ¹¬°ì, ¼ÅÄ ÎÃ, ÆâÆ£ À¿¿Í |
2011 | Áë¤Î·ÁÂÖ¤«¤é¤ß¤¿¼«Í³¤¬µÖ¤Î³¹ÊÂ¤ß ¼«Í³¤¬µÖ±Ø¼þÊդγ¹Ê¤߸¦µæ(2) A Study on Figure of Windows in Jiyugaoka |
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2011 | ¸½ÂåÆüËܤΥ³¡¼¥È¥Ï¥¦¥¹¤Ë¤ª¤±¤ëÃæÄí¤ÎÀߤ¨¤ÈÆâ³°¤ÎÀ¸³è¶õ´Ö¤ÎÏ¢·Ò Furnishing of Courtyards and Connection of Interior and Exterior Living Spaces in Contemporary Japanese Courtyard Houses |
º¬¥ö»³ °¦»Ò, ¼ÅÄ ÎÃ, ÀÐÅÏ Í§Êå, ÆâÆ£ À¿¿Í, °ÂÅÄ ¹¬°ì |
2011 | ´ØÀ¾¹ñºÝ¶õ¹ÁιµÒ¥¿¡¼¥ß¥Ê¥ë¥Ó¥ë¤Ë¤ª¤±¤ë¡Ö¥¸¥ª¥á¥È¥ê¡¼¡×¤È¡Ö´Ä¶À©¸æµ»½Ñ¡×¤Ë¤è¤ëĹÂç¶õ´Ö¤ÎÀß·×¥×¥í¥»¥¹¡Ê£±¡Ë
Design Process of the Vast Continuous Space in the Kansai International Airport Passenger Terminal Building Based on 'Geometry' and 'Environmental Control Technology' |
°ÂÅŬ°ì, ±ü»³¹Àʸ, ¼ÅÄÎÃ, ÆâÆ£À¿¿Í. |
2011 | ´ØÀ¾¹ñºÝ¶õ¹ÁιµÒ¥¿¡¼¥ß¥Ê¥ë¥Ó¥ë¤Ë¤ª¤±¤ë¡Ö¥¸¥ª¥á¥È¥ê¡¼¡×¤È¡Ö´Ä¶À©¸æµ»½Ñ¡×¤Ë¤è¤ëĹÂç¶õ´Ö¤ÎÀß·×¥×¥í¥»¥¹¡Ê2¡Ë
Design Process of the Vast Continuous Space in the Kansai International Airport Passenger Terminal Building Based on 'Geometry' and 'Environmental Control Technology' |
±ü»³¹Àʸ, °ÂÅŬ°ì, ¼ÅÄÎÃ, ÆâÆ£À¿¿Í |
2011 | ¥¢¥×¥í¡¼¥Á¤È³°¹½Í×ÁǤ«¤é¤ß¤¿¹¾ì¤ÎÊ¿Ì̹½À® Âç³Ø¥¥ã¥ó¥Ñ¥¹¤Ë¤ª¤±¤ë¹¾ì¤È·úʪ·²¤Î¹½À®¡Ê£±¡Ë
Compositions of Facades and Courtyard in University Campus in Tokyo (1) |
ÆâÆ£À¿¿Í, Âç¶¶¤à¤Ä¤ß, ¼ÅÄÎÃ, °ÂÅŬ°ì |
2011 | ·úʪ·²¤ÎΩÌ̤Ȥδط¸¤«¤é¤ß¤¿¹¾ì¤Î¹½À® Âç³Ø¥¥ã¥ó¥Ñ¥¹¤Ë¤ª¤±¤ë¹¾ì¤È·úʪ·²¤Î¹½À®¡Ê2¡Ë
Compositions of Facades and Courtyard in University Campus in Tokyo (2) |
Âç¶¶¤à¤Ä¤ß, ÆâÆ£À¿¿Í, ¼ÅÄÎÃ, °ÂÅŬ°ì |
2011 | ñ°ÌÌ̤«¤é¤ß¤¿ÉßÃϥѥ¿¥ó¤È·úʪÇÛÃÖ ¼ÐÌ̤ò´Þ¤à½»ÂðÃÄÃϤζõ´Ö¹½À®¡Ê£±¡Ë Arrangement of Buildings in Housing Complexes on Sloping Sites (1) |
ºÙ붬ͺ, ¿ûëʹÊå, °ÂÅŬ°ì, ¼ÅÄÎÃ, ÆâÆ£À¿¿Í. |
2011 | ¼ÐÌ̤ò´Þ¤à½»ÂðÃÄÃϤˤª¤±¤ë·úʪÇÛÎó ¼ÐÌ̤ò´Þ¤à½»ÂðÃÄÃϤζõ´Ö¹½À®¡Ê£²¡Ë Arrangement of Buildings in Housing Complexes on Sloping Sites (2) |
¿ûëʹÊå, ºÙ붬ͺ, °ÂÅŬ°ì, ¼ÅÄÎÃ, ÆâÆ£À¿¿Í |
2011 | ÃæÄí¤ÎÊ¿ÌÌ·Á¤ÈŸ³«Î©ÌÌ ¸½ÂåÆüËܤΥ³¡¼¥È¥Ï¥¦¥¹¤Ë¤ª¤±¤ëµï´Ö¤«¤é¤ß¤¿ÃæÄí¤ÎΩÌÌ¡¦ÃÇÌ̹½À®¡Ê£±¡Ë
Composition of Wall Surfaces Enclosing Courtyards as Seen from Living Rooms in Contemporary Japanese Courtyard Houses (1) |
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2011 | ÃæÄí¤ÎΩÌ̹½À®¤Èµï´Ö¤È¤Î´Ø·¸ ¸½ÂåÆüËܤΥ³¡¼¥È¥Ï¥¦¥¹¤Ë¤ª¤±¤ëµï´Ö¤«¤é¤ß¤¿ÃæÄí¤ÎΩÌÌ¡¦ÃÇÌ̹½À®¡Ê£²¡Ë
Composition of Wall Surfaces Enclosing Courtyards as Seen from Living Rooms in Contemporary Japanese Courtyard Houses (2) |
ÀÐÅÏͧÊå, ¼ÅÄÎÃ, º¬¥ö»³°¦»Ò, ÆâÆ£À¿¿Í, °ÂÅŬ°ì |
2010 | ³¨ËܤÎɽ»æ¤Ë¤ª¤±¤ë·úʪ¤ÈÇØ·Ê¤«¤é¤ß¤¿²È¤Îɽ¸½ The expression of houses on the cover pages of children books -Comparing houses and background components- |
¶â»Ò ÌÀÆüÈþ, °ÂÅÄ ¹¬°ì, ¼ÅÄ ÎÃ, ÆâÆ£ À¿¿Í |
2010 | ½»Âð¤ÎÆâ´Ñ¼Ì¿¿¤Ë¤ª¤±¤ë³«¸ý¤òͤ¹¤ëÊÉÌ̤ÎϢ³ A study on the layers of openings at the interior wall in photographs of Japanese houses |
¿ùÌî ¹¨¼ù, °ÂÅÄ ¹¬°ì, ¼ÅÄ ÎÃ, ÆâÆ£ À¿¿Í |
2010 | ÊÌÁñ·úÃۤˤª¤±¤ë¿©Âî¤Þ¤ï¤ê¤Î·úÃÛŪ¤·¤Ä¤é¤¨ Architectural elements around a dining table in Japanese weekend houses |
ÎëÌÚ ½ÕÆà, °ÂÅÄ ¹¬°ì, ¼ÅÄ ÎÃ, ÆâÆ£ À¿¿Í |
2010 | ³°Éô¶õ´Ö¤ÎÇÛÃ֤ȳ«ÊüÀ ¸½ÂåÆüËܤΥ³¡¼¥È¥Ï¥¦¥¹¤Ë¤ª¤±¤ë³°Éô¶õ´Ö¤ÎÏ¢·Ò(1) Spatial Composition of Courtyards and Terraces in Contemporary Japanese Courtyard Houses (1) |
¼ÅÄÎÃ, ±ÊÌîÉÒ¹¬, ÎëÌÚ±ÑÍý»Ò, °ÂÅŬ°ì, ÀÐÅÏͧÊå, ÆâÆ£À¿¿Í |
2010 | ÇÛÃ֤ȳ«ÊüÀ¤«¤é¤ß¤¿³°Éô¶õ´Ö¤ÎÏ¢·Ò ¸½ÂåÆüËܤΥ³¡¼¥È¥Ï¥¦¥¹¤Ë¤ª¤±¤ë³°Éô¶õ´Ö¤ÎÏ¢·Ò(2)
Spatial Composition of Courtyards and Terraces in Contemporary Japanese Courtyard Houses (2) |
±ÊÌîÉÒ¹¬, ¼ÅÄÎÃ, ÎëÌÚ±ÑÍý»Ò, °ÂÅŬ°ì, ÀÐÅÏͧÊå, ÆâÆ£À¿¿Í |
2010 | Á°ÌÌÆ»Ï©¤ËÂФ¹¤ëΩÌÌ¤ÈÆâ³°¶õ´Ö¤ÎÇÛÎó ¸½ÂåÆüËܤΥ³¡¼¥È¥Ï¥¦¥¹¤Ë¤ª¤±¤ë³¹¤Ø¤Î¹½¤¨¡Ê1¡Ë House Posture as Seen from Facade and Plan in Contemporary Japanese Courtyard Houses (1) |
Âç¶¶¤à¤Ä¤ß, ¼ÅÄÎÃ, ÎëÌÚ±ÑÍý»Ò, °ÂÅŬ°ì, ±ÊÌîÉÒ¹¬, ÆâÆ£À¿¿Í |
2010 | ΩÌÌ¤ÈÆâ³°¶õ´Ö¤ÎÇÛÎó¤Ë¤è¤ë³¹¤Ø¤Î¹½¤¨ ¸½ÂåÆüËܤΥ³¡¼¥È¥Ï¥¦¥¹¤Ë¤ª¤±¤ë³¹¤Ø¤Î¹½¤¨¡Ê2¡Ë House Posture as Seen from Facade and Plan in Contemporary Japanese Courtyard Houses (2) |
ÎëÌÚ±ÑÍý»Ò, ¼ÅÄÎÃ, Âç¶¶¤à¤Ä¤ß, °ÂÅŬ°ì, ±ÊÌîÉÒ¹¬, ÆâÆ£À¿¿Í |
2009 |
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Åì ¹îɧ, °ÂÅÄ ¹¬°ì, ¼ÅÄ ÎÃ, ÆâÆ£ À¿¿Í |
2009 | ·úʪ¤Î¹½¤¨¤«¤é¤ß¤¿ÅìµÞÀ¤ÅÄëÀþ±è¤¤¤Î³¹Ê A study of facade composition along tokyu setagaya line |
´¥Ã« æÆ, °ÂÅÄ ¹¬°ì, ¼ÅÄ ÎÃ, ÆâÆ£ À¿¿Í. |
2009 | ¸½Âå·úÃۤˤª¤±¤ë¥¹¥í¡¼¥×¤ÎÀܳ¤È³«Êü The connectivity of ramps and the visual openness created in contemporary architecture |
±ü»³ ¹Àʸ, °ÂÅÄ ¹¬°ì, ¼ÅÄ ÎÃ, ÆâÆ£ À¿¿Í. |
2009 | ¿Í¤ÎʬÉÛ¡¦¹Ôư¤«¤é¤ß¤¿·à¾ì¤Î¥¢¥×¥í¡¼¥Á¶õ´Ö Study on the sequence of spaces to theaters from the view point of people's distribution and behavior |
Âçß·µ×Èþ, °ÂÅŬ°ì, ¼ÅÄÎÃ, ÆâÆ£À¿¿Í |
2008 | Ãϲ¼Å´¶äºÂÀþ¤ÎÃϾå½Ð¸ý¤«¤é¸«¤¨¤ëÅìµþ¤ÎÃÇÊÒŪÉ÷·Ê Fragmentary cityscape of Tokyo as seen from Ginza subway line exits |
Âç¶¶ ¤à¤Ä¤ß,°ÂÅÄ ¹¬°ì |
2008 | ¿å²´Û·úÃۤˤª¤±¤ëŸ¼¨¼êË¡¤Ë´Ø¤¹¤ë·ÁÂÖ¸¦µæ(9) :
¿å²´Û¤Ë¤ª¤±¤ë¥¤¥ë¥«¥·¥ç¡¼¥×¡¼¥ë¤Î¶õ´Ö¹½À® A Study on the Spatial Composition of Dolphin Show Pool at the Japanese Aquariums |
±ÊÌî ÉÒ¹¬,°ÂÅÄ ¹¬°ì |
2008 | ÆîÀÄ»³¤ÎÉþ¾þ·ÏŹÊޤˤߤë¥Õ¥¡¥µ¡¼¥É¹½À® A Study of Facade Composition of Fashion Boutiques in Minami-Aoyama |
µÜÅÄ Â¿Ìç,°ÂÅÄ ¹¬°ì |
2007 | ¿å²´Û·úÃۤˤª¤±¤ëŸ¼¨¼êË¡¤Ë´Ø¤¹¤ë·ÁÂÖ¸¦µæ(8) :
¿å²´Û¤Ë¤ª¤±¤ë»Ò¤É¤â¤Î¹¥¤à¾ì½ê¤Ë´Ø¤¹¤ë¸¦µæ A Study on the children's favorite places at the Japanese Aquarium |
°ÂÅÄ ¹¬°ì,ÀÐÅÏ Í§Êå, Âçß· µ×Èþ |
2007 | ¿å²´Û·úÃۤˤª¤±¤ëŸ¼¨¼êË¡¤Ë´Ø¤¹¤ë·ÁÂÖ¸¦µæ(7) :
¿å²´Û¤Ë¤ª¤±¤ë»Ò¤É¤âÏ¢¤ìÍè´Û¼Ô¤ÎʬÉÛµÚ¤Ó¹ÔÆ°ÆÃÀ A Study on the distribution map and family-type visitors behavior at the Japanese Aquarium |
°ÂÅÄ ¹¬°ì,Âçß· µ×Èþ,ÀÐÅÏ Í§Êå |
2007 | ưÀþ¤Ë¤è¤ëŸ³« : Èþ½Ñ´Û¤Ë¤ª¤±¤ë³°Éô¶õ´Ö¤«¤éŸ¼¨¶õ´Ö¤Þ¤Ç¤Î¾ìÌÌŸ³«¤Î¸¦µæ(¤½¤Î1) Study on the Sequence from exterior approach to the exhibition room in the Art Museum |
°ÂÅÄ ¹¬°ì , ´Ý»³ ¹Ì°ì , À¾±º ±ÉÍø»Ò |
2007 | »ë³Ð¾ìÌ̹½À®µÚ¤Ó»ëÀþ¤Ë¤è¤ëŸ³« :
Èþ½Ñ´Û¤Ë¤ª¤±¤ë³°Éô¶õ´Ö¤«¤éŸ¼¨¶õ´Ö¤Þ¤Ç¤Î¾ìÌÌŸ³«(¤½¤Î2) Study on the Sequence from exterior approach to the exhibition room in the Art Museum |
°ÂÅÄ ¹¬°ì , À¾±º ±ÉÍø»Ò |
2007 | ë¸ýµÈÀ¸¤ÎÈþ½Ñ´Û¤Ë¤ª¤±¤ëŸ¼¨¶õ´Ö¤ÎÀß·×¼êË¡(1) : Ì̤ËÂФ¹¤ëÁàºî¤È¹½À® Design Method of the Museum exhibition rooms designed by Yoshio Taniguchi (1) |
ÌÚ²¼ â«Ç· , »³¸ý °´ , °ÂÅÄ ¹¬°ì |
2007 | ë¸ýµÈÀ¸¤ÎÈþ½Ñ´Û¤Ë¤ª¤±¤ëŸ¼¨¶õ´Ö¤ÎÀß·×¼êË¡(2) : Ì̤αé½Ð¸ú²Ì¤ÈÈþ½Ñ´ÛÁ´ÂΤι½À® Design Method of the Museum exhibition rooms designed by Yoshio Taniguchi (2) |
»³¸ý °´ , °ÂÅÄ ¹¬°ì |
2006 | ¿å²´Û¤Ë¤ª¤±¤ëŸ¼¨¼êË¡¤Ë´Ø¤¹¤ë·ÁÂÖ¸¦µæ(5) : ¥á¥¤¥ó¿åÁå¤Î´ÑÍ÷¶õ´Ö A Study on the Visitor's Space of the Main Exhibition Tnaks in the Japanese Aquariums |
°ÂÅÄ ¹¬°ì,ÌÚ²¼ ÚîÇ·,´Ý»³ ¹Ì°ì,Íû Ã뱂 |
2006 | Èþ½Ñ´Û¤Î³«¸ýÉô¤«¤é¸«¤¨¤ëÉ÷·Ê Conposition of Scenery from the Window in Contemporary Japanese Museum |
°ÂÅÄ ¹¬°ì,×¢Ìî ͺÂÀ |
2006 | ¿å²´Û·úÃۤˤª¤±¤ëŸ¼¨¼êË¡¤Ë´Ø¤¹¤ë·ÁÂÖ¸¦µæ(6) : Ÿ¼¨¥Æ¡¼¥Þ¤«¤é¤ß¤¿¶õÅûŸ³« A Study on the Room Development from Exhibition Theme of the Japanese Aquariums |
°ÂÅÄ ¹¬°ì,ÌÚ²¼ ÚîÇ·,´Ý»³¹Ì°ì,ÍûÃ뱂 |
2006 | ¿å²´Û¤ÎÉôÌç¹½À®¤Ë´Ø¤¹¤ë¸¦µæ(1) : ÉôÌçÊÌÌÌÀѹ½À®Èæ A Study on the Arrangement of Functional Divisions in Aquarium(1) |
°ÂÅÄ ¹¬°ì , ³á¼ ·ò , Íû Ã뱂 |
2006 | ¿å²´Û¤ÎÉôÌç¹½À®¤Ë´Ø¤¹¤ë¸¦µæ(2) : µ¡Ç½¹½À®¤ÈΩÂÎÇÛÃÖ¹½À® A Study on the Arrangement of Functional Divisions in Aquarium(2) |
³á¼ ·ò , °ÂÅÄ ¹¬°ì , Íû Ã뱂 |
2006 | ¥¢¥Ê¥í¥¸¡¼¤Çɽ¸½¤µ¤ì¤¿µ»½Ñ : ¸½Âå·úÃۤθÀ¸ì¤È·ÁÂ֤˴ؤ¹¤ë¸¦µæ(1) Analogy on Engineering and Form System of Contemporary Architecture (1) |
»³¸ý °´ , °ÂÅÄ ¹¬°ì , Ω²Ö Èþ½ï |
2006 | ¥¢¥Ê¥í¥¸¡¼¤Çɽ¸½¤µ¤ì¤¿µ»½Ñ¤È¤½¤ÎÉô°ÌÇÛÎó¤Ë¤è¤ëÎà·¿ :
¸½Âå·úÃۤθÀ¸ì¤È·ÁÂ֤˴ؤ¹¤ë¸¦µæ(2) Analogy on Engineering and Form System of Contemporary Architecture (2) |
Ω²Ö Èþ½ï , °ÂÅÄ ¹¬°ì , »³¸ý °´ |
2006 | ¥Ð¥¤¥ë¥Þ¥á¡¼¥¢ºÆ³«È¯Ã϶è¤Ë¤ª¤±¤ë³°Éô¶õ´ÖÆÃÀ¤Èɽ½ÐÍ×ÁÇ Characteristics of Public Exterior Spaces and Exposed Elements in the Redevelopment Area of the Bijlmermeer |
ÉþÉô ÂóÍÇ , Åĸý ÍÛ»Ò , Àî¾å ÀµÎÑ , °ÂÅÄ ¹¬°ì |
2005 | ±Ç²è¥·¡¼¥ó¤Îǧ¼±¤Ë¤è¤ëÅÔ»Ô¥¤¥á¡¼¥¸ The Image of the City through the Notion of the Scenes in the Movies |
°ÂÅÄ ¹¬°ì,ÅÄÃæ ¿¿¼ÓÈþ |
2005 | ¿å²´Û·úÃۤˤª¤±¤ëŸ¼¨¼êË¡¤Ë´Ø¤¹¤ë·ÁÂÖ¸¦µæ(3) : »ëÀþÂоݤ«¤é¤ß¤¿µÙ·Æ¾ì½ê A Study on the Resting Space in the Japanese Aquarium |
°ÂÅÄ ¹¬°ì,ÃæÈø Íýº»,À¾±º ±ÉÍø»Ò |
2005 | ¿å²´Û·úÃۤˤª¤±¤ëŸ¼¨¼êË¡¤Ë´Ø¤¹¤ë·ÁÂÖ¸¦µæ(4) :
¥¨¥ó¥È¥é¥ó¥¹¤«¤éŸ¼¨¶õ´Ö¤Þ¤Ç¤Î¾ìÌÌŸ³« A Study on the sequence from entrance to exhibition room in the Japanese Aquarium |
°ÂÅÄ ¹¬°ì,À¾±º ±ÉÍø»Ò,ÃæÈø Íýº» |
2004 | ¿å²´Û·úÃۤˤª¤±¤ëŸ¼¨¼êË¡¤Ë´Ø¤¹¤ë·ÁÂÖ¸¦µæ(1) : ½çÏ©¤«¤é¤ß¤¿Å¸¼¨¶õ´Ö A Study on the Visitors' Walkway of the Japanese Aquariums |
°ÂÅÄ ¹¬°ì,¿Ü²ì µ®¹¯,ÎëÌÚ ºÌ»Ò |
2004 | ¿å²´Û·úÃۤˤª¤±¤ëŸ¼¨¼êË¡¤Ë´Ø¤¹¤ë·ÁÂÖ¸¦µæ(2) : ¥á¥¤¥ó¿åÁå¤Î¹½À® A Study on the Composition of the Main Exhibition Tanks in the Japanese Aquariums |
°ÂÅÄ ¹¬°ì,ÎëÌÚ ºÌ»Ò,¿Ü²ì µ®¹¯ |